The ECAIC project explores the dynamic traditions of representation that emerged in central and northern Europe around 500 BC. Commonly referred to as 'Celtic Art', these traditions can be distinguished from more realistic, narrative styles of art which emerge in the Classical world at around the same time.
If changes in artistic preference can be seen as a proxy for broader changes in social philosophy, cosmology, and self-perception, then an exploration of these differences is potentially productive. Taking a broader view, the project also considers the wider continental context of Celtic Art its possible relationships with early Animal Style Art in the Eurasian steppe.
The FLAME (Flow of Ancient Metal across Eurasia) is a European Research Council funded project led by Professor Mark Pollard of the Research Laboratory for Archaeology and the History of Art (RLAHA) at the University of Oxford. It sets out to investigate the movement, exchange, and transformation of metal in Eurasian societies during the Bronze and Early Iron Age.
This 5-year Leverhulme Trust funded project (2011-2016), explores how the incorporation of such foreign materials, technologies and ideas into the repertoire of an early dynastic elite both marked and stimulated social changes across ancient China.
The societies that grew up within the sparsely-populated steppe and semi-desert environments that bordered the fertile Central Plain of the Yellow River Basin played a critical mediating role in these transformations and are a major focus of investigation in this project.
A British Academy funded collaborative investigation of Harrappan metallurgy with the National Museum Institute (Delhi), Deccan College (Pune), and NIAS (Bangalore).